Loading...

14 Oct 2026 13:46

Leadership Perspectives Radio & Music

Radio in the Digital Age

Radio in the Digital Age

Radio in the Digital Age

Radio in the Digital AgeThe radio industry is a very small part of the broadcasting universe. At 2300 odd crores of rupees, we comprise of about 5% of the broadcasting sector in India.

Although the reach and impact of radio in India includes the public service broadcaster and community radio when I say ‘radio’; it is considerably greater than its rupee value. Its modest market share is probably the reason why the path to digitization of radio is so poorly defined. Radio should be as much a part of our master plan for the ‘Digital India Vision 2020’.

It talks about digital infrastructure as a must-have utility for every citizen. If we go by available research data on media habits it is alarming to note that the consumption habits of audiences are changing almost every quarter. Once Digital India is implemented, there is no doubt that media consumption patterns in the country will go through a huge, dramatic change.

Our current situation

As a media market, we have the best of both worlds: multiplicity of genres as well as diversity of languages. Radio is a powerful medium that gains from these advantages. It is not only interactive, but is also very local in nature and is free of costs, unlike C&S television. There are many technologies we need to experiment with to realize the vision of Digital Radio in India, while remaining true to radio’s fundamental character as an interactive, free-of-cost, local medium.

All said and done, radio is growing at steady speed. Today it is the second fastest growing sector after internet in India. While Digital is growing exponentially, private FM radio in India is growing at a formidable 14.5%, and that is primarily because of FM expansion in Tier 2 and Tier 3 cities,although the ad-pie continues to be only 4%. This is not very encouraging as internationally, in countries like US, the radio ad pie is about 14 %. However, we hope to see it grow to 7% in India by 2020.

Barriers faced by the radio industry

The unfortunate thing is that the world has gone digital while we are still talking analogueFM technology with ahorizon spanning over 15 years.What I mean is, in this digital age, one of the biggest drivers for broadcast media is technological advancement, which could drive both content and revenue.

For instance, the public service broadcaster, All India Radio, has introduced Digital Radio Mondiale(DRM) transmitters. Theseare nowcapable of transmitting signals in analogue, digital or even simulcast mode (that is, a mix of both analogue & digital). This progressive technology has replaced 37 obsolete Medium Wave and Short Wave transmitters of AIR.However,private FM broadcasters are still operating on analogue FM technology and paying a huge license fee for it.

Though the trend of AIR shifting to DRM is encouraging, the challenges faced by terrestrial radio from streaming platforms (web and mobile) cannot be ignored.The digital audio entertainment sector is fast changing. The likes of Saavn and Gaana are establishing themselves and have become a major competitor to the radio industry today. While they are seamlessly interactive, they also offer on demand services etc. They are luring audiences away from broadcast radio, just as Netflix and its competitors are taking away mass audiencesfrom television and cinema.

In a nutshell, listeners want to take control of their music, and thus the penetration of broadband internet makes it easier for them.Consumers have become platform agnostic; content is king and customer convenience is paramount.

So, the challenge is not one Private FM player competing with another player; the challenge is the battle of FM players against the ever-changing technology around it. The listeners here have far more options to listen to their kind of music rather than FM radio – there are web radio, podcasts, audio-on-demandetc.

iHeartRadio is another such global example that provides an all-in-one listening experience, bringing a variety of content to the listener, be it music, news, talk radio, sports or comedy. Along with aggregatingmostUS radio stations, iHeartRadio then distributes this content over the internet through web or mobile, whichever medium is desired by the digitized listener.Now this is something we need to experiment with in India, and adapt to our conditions.

In India, another challenge is thathigh end smart phones have done away with FM tuners altogether. Decision makers in the mobile industry view internet radio as the way forward. Their logic is simple: data brings in money while FM radio is free. This is an area of concern. The importance of terrestrial radio has to be properly understood beyond its rupee value.

Besides regular programming and the entertainment that it provides, it has always played the age-old role in disaster management. When the telephone system is downand neither the television nor the internet works, FM radio is usually the only medium of communication available during emergencies, broadcasting useful news and information. We have seen this during the Chennai floods; during cyclones in Orissa; the Mumbai floods of 2005: all occasions when FM radio proved its worth time and again.

I should point out here that India is one of the very few countries in the world wherein news is not allowed on private radio stations. This has had a very damaging effect both on the growth of radio as well as its impact. Local news is the lifeline of radio broadcasting. The government expects us to use FM radio for disseminating information during emergencies. I want to stress on the point that, in the absence of any kind of news-gathering experience, the ability of private and community radio broadcasters to disseminate newsduring disasters would be limited.

Another challenge for us is theability of digital media – and social media – to reach out to the retail market to generate revenue, much more efficiently than the traditional radio industry.The bottleneck here is the lack of proper measurement systems in terrestrial radio. There is no proper data available on the radio industry, especially when compared to digital, and that makes the business self-limiting.

In an ideal scenario, all strata of society should consume digital radio as a mass medium. However, in the current situation, the cost of digital receivers (upward of Rs. 13,000 per receiver) becomes an entry barrier formostlisteners. In this context, the DAB transition in Norway is worth citing. Norway has switched from FM to DAB radio, through the ‘pop-your-phone’ route. With a simple dongle, every smart phone becomes a digital radio! I think we should consider learning from their experiment.

It’s not just the cost of digital receivers: the switchover cost to digital broadcast technologies like DRM is exorbitant for broadcasters as well. I doubt if radio operators can support such investments at present. The issues therefore are clearly about availability, access, and the cost of digital radio for both listeners and broadcasters. Because of this, the progress of DAB is quite sluggish in India.

Consumer electronics companies have been reluctantfrom the beginning to invest in this technology.This does not help matters, as they refuse to mass-produce compatible receivers. This unfortunately makesthe term ‘digital radio’in India meanradio-like services such as audio streaming via wireless broadband, rather than digital terrestrial radio.

The way forward

One can’t rule out the potentialof digital audio streaming and aggregators like iHeartradio, NPR, BBC, and other podcast platforms. It is mainly through this yardstick that we can suggest some measures for the radio landscape in this country to be ready for the future.

First and foremost, we need relevant information on radio digitization from the Ministry of Information and Broadcasting. Though All India Radiohas been experimenting with DRM for quite some time, we know next to nothing about the impact of DRM implementation and its implications.

This should be followed by a study on the current scenario of DAB receivers in India. And, further to that, a roadmap to expand the availability of cheaper digital radio sets in the country. This should include digital car receivers as well.

The current cost of digital receivers is a huge concern. We have the classic example of the high cost of World Space receivers, which was too big a challenge for a price-sensitive market like India. The DAB platform today needs to advance beyond the clock-plus-radio image and continue to provide solutions such as dongles and adapters.We now need to explore compatibility of DAB with other devices like Apple TV, Amazon Fire TV, Google Chromecast etc.

The long journey could even begin with bringing DAB in tune with DTH Set Top Boxes, and providing sops to manufacturers of mobile phones to enable handsets with DAB receivers. We should, in fact, look at a phased transition to DAB, with internet radio as an add-on digital feed for existing FM radio operators.

The advantage of radio is that it is free. Data costs money. In the interest of reaching out to a larger audience, perhaps TRAI should ask mobile operators to allow radio streaming for free. This will mean larger coverage and higher acceptance of the medium.

Of course, this would also mean that the government should step in and give us clarity on music royalties on digital audio. As FM broadcasters pay huge royalties to audio music companies, the government should intervene to allow non-interactive digital music rights to FM operators at a nominal add-on cost. That is the only way to make the business viable.This will ensure that radio transmission in the countryis seamless, uninterrupted, and thus dependable.

The crux of the matter is thatthe internet has grown by leaps and bounds while FM radio in India has been the last among broadcasters to “negotiate” digitization. It has become a chicken and egg situation now. Will broadcasters invest in digital technology before we have widespread availability of digital receivers, or vice versa? That clarity can only come from the government.

Radio is a medium that is portable, effortless, affordable, wide-spread yet influential and engaging. India has successfully implemented digital migration for television. It’s now the radio industry’s turn.

Written by Nisha Narayanan COO, RED FM

 

This article was first published in Financial Express- Brand Wagon

(Visited 16 times, 1 visits today)
kincir88gang303hebitopperi hokiperihokiduta 76https://abc1131aa.com/cakar76https://www.abc1131.it.com/stc76duta76duta76 loveduta76 careduta76bduta76 sejiwaduta76 lokasiterdekatduta76 africafuelduta76 oscarmykeduta76 naptimepkduta76 daikinduta76 raes-munichduta76 destyduta76 bio-linkduta76 lynkduta76 heylinkduta76 bioduta76 radarkeduabc1131https://abc1131-daftar.mssg.me/https://pttun-palembang.go.id/slot gacor qrishttps://ampawsbetx.store/AWSBETslot thailandslot thailand gacorhttps://wealthdynamics.geniusu.com/sm/lanskap game modern 2026 takhta mahjong ways fenomena gates of olympus dan revolusi scatter hitamgates of olympus 1000 mendorong inovasi pengali bertingkat 2026pola putaran otomatis dorong transformasi akumulasi multiplier 2026pengembang perbaharui kombinasi simbol premium game gates of olympuspola jam terbuka ubah frekuensi kemunculan simbol premium dalam gamemahjong wins logika fuzzymahjong wins 3 dinamika scatterpengalaman bermain di ABC1131ABC1131mahjong ways 2 fakta menarik tentang scatter wild dan multiplier yang perlu diketahuistarlight princess mengenal momen free spin dan multiplier yang bisa mengubah jalannya permainangates of olympus cara kerja multiplier zeus dan kenapa fitur ini banyak dibicarakanmahjong ways 2 momen scatter dan perubahan ritme spin yang sering menarik perhatianmahjong ways 2 apa yang membuat ritme permainannya terasa berbeda di setiap spinjudi online atau investasi legal mana yang lebih aman 1main game dapat point dana cuma 10 menit sehari begini caranya 1pola main game penghasil gopay coin yang bikin lebih aman 1ramai dibahas judi online tapi risikonya tak main main 1main game dapat point ovo hasil uji coba yang aman 1main game biasa atau game penghasil saldo dana mana cuan 1blackjack terlihat sederhana tetapi kenapa keputusan hit atau stand bisa mengubah peluangjackpot terlihat semakin besar tetapi apa hubungannya dengan peluang mendapatkannyahouse edge kecil sering dianggap menguntungkan tetapi begini cara membaca angkanyavolatilitas tinggi dan rendah apa bedanya dan kenapa pengalaman bermain bisa berubah drastissudah banyak putaran tetapi bonus belum muncul apa yang sebenarnya terjadirng sering disebut acak tetapi bagaimana sistem ini sebenarnya menentukan setiap putaransimbol hampir membentuk bonus kenapa momen near miss terasa begitu meyakinkanbonus buy memang langsung membuka fitur tetapi apa yang berubah dari permainan biasakenapa angka kemenangan besar lebih mudah diingat daripada puluhan putaran biasaautoplay dan spin manual terasa berbeda tetapi apakah mekanismenya benar benar berbedafrekuensi scatter mahjong ways tidak selalu mencerminkan peluang sebenarnya dalam satu sesistruktur multiplier starlight princess membuat nilai akhir terasa berubah drastisvarians membantu menjelaskan kenapa hasil sweet bonanza 1000 bisa berbeda jauh antar sesiposisi scatter di mahjong ways 2 sering menarik perhatian tetapi apa informasi yang sebenarnya bisa dibacaanalisis tempo putaran mahjong ways mengungkap kenapa ritme permainan bisa terasa berubahekspektasi matematis membantu menjelaskan kenapa rtp tinggi tidak menjamin hasil besar dalam satu sesigates of olympus 1000 menunjukkan bagaimana multiplier dan tumble bisa berinteraksi dalam satu putaranwild bertumpuk di mahjong ways 2 bisa mengubah struktur layar tetapi tidak selalu mengubah peluang dasarfree spin mendadak aktif setelah sesi tenang kenapa perubahan ini terasa sangat signifikanmahjong ways 2 tetap menarik di era game mobile apa yang membuat mekanismenya bertahanrtp naik turun dalam sesi pendek bukan berarti ada pola begini cara membacanyawild bandito membuat runtuhan simbol terasa aktif apa yang sebenarnya terjadi di setiap rangkaianlucky neko dan simbol keberuntungan jepang kenapa identitas visualnya begitu mudah dikenaliscatter hitam mahjong wins 3 menarik perhatian tetapi tidak menentukan putaran berikutnyabaccarat terlihat sederhana tetapi kenapa ritme player dan banker mudah dianggap membentuk polaroulette memiliki banyak pilihan taruhan tetapi kenapa struktur meja lebih penting daripada sekadar angkamahjong ways 2 terlihat konsisten dalam durasi putaran tetapi hasilnya tetap bisa sangat berbedamembaca rtp dari satu sesi bisa menyesatkan ini perbedaan data pendek dan jangka panjangwild bounty showdown membawa tema koboi tetapi mekanisme permainannya lebih dari sekadar visualdaya tarik mahjong ways terpancarpesona mahjong ways hadir lewatkeunikan mahjong ways terlihat memikatmahjong ways semakin menarik seimbangvisual mahjong ways makin menawanpria ini mengaku mendapat kemenangan besar dari game online apa yang sebenarnya terjadi di balik ceritanyajudi online sering disebut jalan cepat mendapat uang kenapa anggapan ini bisa menyesatkancerita menang besar viral di media sosial mengapa konten seperti ini cepat menarik perhatiansyariah melarang praktik judi mengapa narasi uang instan tetap banyak beredar di internetseorang pemain mengaku modal kecil berubah menjadi jutaan kenapa cerita seperti ini perlu dibaca dengan hati hatimengapa banyak orang tertarik pada janji uang cepat dari game online meski risikonya tinggidari hiburan menjadi perbincangan kenapa game online bertema jackpot mudah viralkemenangan besar sering dipamerkan tetapi kerugian jarang dibicarakan ini dampaknya pada persepsi penggunauang instan menjadi daya tarik di tengah tekanan ekonomi mengapa narasi ini semakin mudah menyebarseorang pengguna mengaku berhenti setelah mengalami kerugian ceritanya menunjukkan sisi lain judi onlinelucky neko kembali menarik perhatian pemain mobile ada apa dengan tema kucing keberuntungan jepangwild bandito punya nuansa koboi meksiko yang berbeda ini detail permainan yang jarang diperhatikanmahjong ways 2 masih banyak dibicarakan di kalangan penggemar game mobile apa daya tariknyaaztec gems membawa nuansa peradaban kuno ke layar digital mengapa tampilannya terasa berbedawild bounty showdown menghadirkan duel koboi di dunia digital bukan sekadar permainan bertema wild westjejak digital konsekuensi sosial mahjong ways 2 pg softteknik parallax latar digital wild west gold pragmatic playanalisis perangkat baccarat live gates of olympus pragmatic playfilosofi simbol harimau fortune tiger pg softtransformasi sistem permainan mahjong wins 3 pragmatic playoptimalisasi antarmuka mahjong ways 2 pg softmanajemen risiko baccarat mahjong wins 2 pragmatic playrelasi parasosial penonton mahjong ways 2 pg softinovasi gates of olympus 1000 mahjong ways pg softpengendalian emosi psikologis mahjong wins 3 pragmatic playmitologi yunani zeus gates of olympus pragmatic playresolusi layar tinggi wild bandito pragmatic playdesain sentuhan antarmuka sweet bonanza pragmatic playperbedaan visual mahjong ways 2 sweet bonanzatema fantasi mitologi gates of olympus pragmatic playoptimalisasi interaksi pengguna mahjong wins 3 pragmatic playketerkaitan simbol wild bounty showdown pragmatic playdesain responsif layar mahjong ways 2 pg softtransformasi smartphone mahjong wins 2 pragmatic playlegenda naga mitologi tiongkok mahjong ways pg softnl peningkatan performa mahjong waysnl pentingnya memperhatikan susunan awalnl peran analisis data pgsoftnl peran pergerakan algoritma dalamnl peran scatter wild kerapnl peran teknologi big datanl pergerakan algoritma dan hubungannyanl pergerakan algoritma dan pendekatannl pergerakan algoritma membuka perspektifnl pergerakan algoritma menjadi acuanpsikologi menghadapi pemain profesional baccarat eksklusifanalisis risiko volatilitas rng pragmatic playteknologi audio atmosfer lucky neko pg softliterasi media algoritma mahjong ways pg softbermain bijak pengendalian mahjong wins 3 pragmatic playarah gulungan mekanisme rng mahjong ways 2 pg softinteraksi sosial komunitas mahjong ways 2 pg softfitur bonus wild bounty showdown pragmatic playfitur super scatter gates of olympus pragmatic playpengalaman pemain baru mahjong ways 2 pg softevolusi teknologi grafis mahjong wins 3 pragmatic playoptimalisasi database mahjong wins pragmatic playtransformasi sistem adaptif mahjong ways pg softekosistem teknologi mahjong ways 2 pg softteknologi lintas perangkat wild bounty showdowninovasi pembaruan wild bounty showdown pragmatic playoptimalisasi smartphone wild bounty showdown pragmatic playtren mahjong ways pg soft indonesia literasi digitalpendekatan psikologis ritme bermain mahjong winskajian probabilitas rng volatilitas pragmatic play Top